Porcupine Tree, Hidria Spacefolk, Jäähalli, Helsinki, December 15th, 2007
From Aural Innovations #38 (Jan 2008)
Porcupine Tree from England has gained such a big following with their two latest
albums Deadwing and Fear of a Blank Planet, that a gig at a big ice hall is
possible even in Finland. The venue should originally have been Kulttuuritalo
(Culture House), but it was sold out very quickly so they moved the show to
a much bigger Jäähalli (Ice Hall). I hadn’t been there since
Metallica’s …And Justice for All tour… Also this venue was
pretty full, so the band clearly has a big fan-base in Finland. And not without
a reason, since the band is in really tight shape and has been able to gain
also a lot of metal heads to their side along with the more traditional prog
and pop audience. In Helsinki, as well as in Tampere the following day, the
support act was Hidria Spacefolk, Helsinki’s masters of instrumental and
progressive space/trance rock, and at least in Helsinki they did very well.
The doors opened at 19:00. The lights in the hall shut down at 19:45 and Hidria
Spacefolk entered the stage. Apart from the extra percussionist, all the members
seem to now have short hair. At this point the band said to the audience “welcome
to this prog evening”. The first track we heard was the familiar “Symetria”
that goes in ¾ rhythm and brings to mind Kingston Wall. The other guitar
player Sami was at first a bit too loud and there was some feedback. The track
got heavier towards the end. I somehow felt, that the band played with a bit
heavier touch than usual, or was it just the louder volume? During the second
track “Radien”, also from their latest album, the sound got better
and the main floor begun to fill up. The track included some nice repetitive
grooves and at times they got heavier again.
Then they played ”Pajas” that progresses in 5/4 rhythm and the percussionist
joined in. The band was on fire and we get to hear some really great guitar
solos. The end of the track was more peaceful atmospheres and differed a bit
from the studio version, I think. The audience clearly liked what they heard,
anyway, and cheered very loudly. The bit kraut rock styled 7/8 pounding “322”
came next. Here Janne conjured up some rather low frequencies form his synthesizer.
“Sine”, the superbly played, rather dark final track from the new
album ended the excellent and short set. Way to go guys! So now they have warmed
up for Ozric Tentacles, Hawkwind and Porcupine Tree…
Hidria Spacefolk
At this point there was plenty of time for a beer. More people were showing
up and when the intro started at 21:07, the hall was almost full of enthusiastically
shouting fans. They had hung up a big screen behind the band for the excellent
videos mostly to do with the themes of the new album. The gig started off in
a familiar manner with the new album’s opener “Fear of a Blank Planet”
that surely worked very well right in the beginning. Amazing! In the beginning
of the little more peaceful “What Happened Here?” that can also
be found on the new album Steven sung without his guitar and some exiting patterns
were projected at the background. Then they returned to a bit older material
when we heard the track “Sound of Muzak” from the album In Absentia.
There were a lot of cigarette lighters out there during the single track “Lazarus”
and some old home flicks were shown on the screen. The applause after the song
was deafening!
At this point of the night it was time for the new album’s long main piece
“Anesthetize”. There was some sped-up video images running at the
background and Steven Wilson played some keyboards in the middle. During the
more laid-back, Pink Floyd styled part they showed some slowed-down images of
gigantic waves which was very suitable for the atmosphere. “Open Car”
got the audience to raise their fists in the air with its jerky metal and beautiful
chorus. Then they played an over ten years old “Dark Matter” that
started with a great, mystical and ambient synth thing. It was very nice to
hear some older material as well, but when will they play something from the
first three albums? We didn’t get even “Radioactive Toy”…
During the rough “Blackest Eyes” the audience went just nuts. Heavy
stuff! “Hate Song” from Lightbulb Sun followed next and Colin Edwin
started the track in a superb way with his bass. Wes didn’t play at all
on this one but did some backing vocals at times. Steven freaked out some pretty
psychedelic stuff on his guitar and during the more jamming ending also the
drummer Gavin Harrison got to show off his abilities. The highly beautiful and
sad ”A Smart Kid” came next and there was some programmed rhythm
in the middle. “Way Out of Here” from the new album was one of the
most magical moments during the show. “Sleep Together” from the
same album ended the main set with its funny robot video and other psychedelic
images. In the end Steven was playing keyboards again.
Porcupine Tree let the audience cheer their lungs out before they returned to
the stage to play the old single track ”Waiting Phase 1”. Wes played
acoustic guitar and it was really nice to hear this amazing song! “Trains”
was a natural choice after that, and the audience was very excited. Another
superb track. For the last track the band still gave us “Halo” from
their latest album and I must say that it was a very strong performance. Some
of the lyrics of the track were projected to the back to a great effect. A marvelous
ending for an amazing gig! The sound was excellent and these fellows sure are
top-notch musicians. The voice of Steven Wilson is unbelievably emotional and
beautiful and I’ll never get tired of listening to him. This surely was
one of the best gig I’ve seen this year, or ever for that matter. The
band promised to be back soon, and I for one will be there again!
Visit the band web sites at: http://www.hidriaspacefolk.st/index.php or http://www.porcupinetree.com
Reviewed by Santtu Laakso