"I've grown
up with the Starfighter jets, which have accounted for the lives of
many young pilots. It has become so much a part of me that I've had
to write about it in order to get it out of my system." Captain Lockheed... was Calvert's first solo-album - and remains
his most well-known up to date. It already showcases his combined
talents as a writer, musician and 'comedian'. In a captivating way
he formed a brilliant cross between a Rock concept album and a Monty
Python`esque radio play. Subject: the Lockheed affair in Germany.
Franz Joseph Strauß, then mad-defense-minister of the Federal Republic
of Germany, was dying to put back some of the glamour and glory into
what had remained from the former fabulous German airforce, the "Luftwaffe".
At Lockheed's he ordered hundreds of the notorious STARFIGHTERS -
which were so neatly re-designed, that they constantly crashed into
the German soil - and thus taking with them the lifes of more than
a hundred young, dashing pilots. The planes soon became famous under
their nicknames like 'Flying Coffins' and "Widowmakers".
In combination with some anecdotes and sketches about the tragic/romantic
ceremonies around the test pilot's 'brotherhood' this formed the perfect
matrix for a black-comedy concept-rock-album.
The
songs are mostly pretty straight-forward, high energized rockers -
pretty much in the fashion of the songs Calvert previously (co)-wrote
for Hawkwind - with a few remarkable ekseptions, like the wonderful,
highly poetic ballad HERO WITH
A WING, (possibly) Calvert's very own version of the Icarus myth.
Other stand-out non-rockers are the wonderful funeral-march Catch
a falling Starfighter and The
Song of the Gremlin - the latter a great collaboration with Arthur
Brown and synth-pioneer Adrian Wagner.
For the sketches that appear between the songs Calvert could win the
famous and highly eccentric musician/comedian Vivian
Stanshall (Bonzo Dog Doo Dah Band) and Jim Capaldi. The list of
musicians to be heard contains almost the entire Hawkwind line-up
plus Arthur Brown,
Paul Rudolph &
Twink, Adrian
Wagner and Brian
Eno.
Many of the Lockheed-songs like The
Right Stuff and Ejection
remain on the set-list(s) of Hawkwind until today - and are greeted
as, well, true Hawkwind-classics. So, if the band comes through your
area, you still have the chance to hear these gems in their full-blown
powerful glory.
But not only HAWKWIND
are still playing these Calvert songs. The ever so popular "Stoner-Rockers"
MONSTER
MAGNET are covering The
Right Stuff on their 2004 record 'Monolithic Baby'; Calvert songs
frequently appear in their live sets and just recently they joined
Hawkwind at a Swedish open-air concert for some (Calvert)-songs. -
And the same goes for band like Farflung a.o.
1974
- DISTANCES
BETWEEN US - Lp by/w. Adrian Wagner
Calvert contributed
one song and a poem to original release of this record. The song
is the first and rather different version of the later Hawkwind-classic
Steppenwolf
- based on Hermann Hesse's book by the same name. A minimalistic
but interesting and tense version.
The poem is entitled Messengers
of Morpheus - a lyric and sound collage in the manner of the
poetry performcances Calvert did during the Space Ritual period
with Hawkwind. Adrian
Wagner re-released it on CD format in 1990 via his own studio
/ label - mostly for the sake of Calvert's memory and to support
his family.
[ >HERE
you can read what Wagner wrote about this album in the liner-notes
for the re-release - attached you'll also find a bio-sketch of him.
]
The new editon contains the so far unreleased Stranger
in a Strange Land, another track incorporating Calvert's lyrics
and vocals. The bigger part of this album is psychedelic, experimental,
synthesizer based music with some classic-influences - but you'll
also find a great funk/soul-ish number like "Amazon Woman"
on it - in short: it's absolutely worth having. Take a look at the
ASTOUNDING SOUNDS;
AMAZING MUSIC album for more infos on STEPPENWOLF. >
NEW: Adrian
Wagner's liner notes on his collaboration w. Calvert for the
re-release of Distances Between Us - incl. a resume of his past
and present undertakings. TRACKS:
Distances Between Us / Lying-Waiting-Dreaming-Thinking... / Born
from the Womb into a Sea of Life... / Messengers
of Morpheus / Stranger
in a Strange Land / Amazon Woman / Solstice / Mourning Glory
/ Steppenwolf
- (illustrated - plus sound) / Music of the Spheres
1974
/ 79 -
CRICKET STAR - single / with Adrian
Wagner
In the same year
Wagner and Calvert
collaborated once more on two quiet odd numbers: CRICKET STAR and
HOWZAT?. The former is the first and only reggae song Calvert ever
made. Not being a Reggae-fan at all ("I think if you heard
one you've heard quite a few of them...") it isn't surprising
that CRICKET STAR sounds more like a Reggae-satire, than a serious
attempt in that "genre".
However, Calvert managed to convince UA about this project after
the success of "Captain Lockheed" and the recordings took
place in July '74 with the help of the former T. Rex percussionist
Steve
Took at Trident Studios. The release was meant to coincide
with the West Indies Cricket Tour of England. However, the tour
was cancelled and apparently the record company didn't like this
odd piece of music anyway - or rather it's genre. Back then the
executive told Calvert, that Reggae was a kind of "ethnic minority
cult" - certainly no music to be sold in large quantities...
CRICKET STAR was eventually released in '79 after Adrian Wagner
approached Robert about a new recording of the song - which turned
more into a "joke version". This was released as a flexi-pic-single
on Wagner's
own label.
HOWZAT was never officially released - it's a somewhat strange mainstreamish-pop-song
with "ba-ba-ba-huh" backing vocals, not an entirely "serious"
song as well, I suppose... > NEWS, July 04: to celebrate
the 25th Anniversary of the CRICKET STAR
release in 1979, Adrian Wagner has re-released
the song on a special single-cd - to be ordered exclusively via
e-bay. More infos on this and some personal memories on the recording
and fate of CS can be found here
- or READ Wagner's recollections right
HERE. >LISTEN
to an excerpt of CRICKET
STAR >LISTEN to Calvert's
memories on the recording of CRICKET STAR
- and why it wasn't released. > Read Calvert's comments
on CRICKET STAR on the QUOTES
pages. > Read the CRICKET
STAR LYRICS >
Read a short interview
snippet w. Steve Took on his involvement w. Calvert / Cricket
Star
1974
-
DOWN TO EARTH - Lp / CD by Nektar
An Lp by the
then pretty successful band Nektar - loosely based on the idea/concept
of a travelling circus show. Calvert was invited to appear on a
couple of tracks in the role of the "Ringmaster". He isn't
doing any vocals (unfortunately) but delievers his announcements
in a wild mix of German and English. I suppose the band invited
him after hearing his 1st solo-album Captain
Lockheed... - as his performance style is pretty similar to
the more frenzy parts of the songs and sketches featured on this
album.
Lots of guest musicians appear on DOWN TO EARTH - the (un)usual
courtesy-credit on Calvert reads: "Robert Calvert appears by
courtesy of inter-city-rail."
Musically it's
miles away from anything that Calvert did himself - and absolutely
not my cup of tea - sounds like very outdated (then-)progressive
type of music with some jazzy influences - ...you just got to have
a liking for Nektar, I suppose.
1975 -
LUCKY LEIF AND THE LONGSHIPS - Lp
Another concept album. It's subject: the history of the USA and
that of the Vikings, who discovered America a long time before Columbus.
Produced by Brian Eno the record
combines - in sharp contrast to Calvert's 1st
solo-album - radically different styles:rock music and word
experiments, electronic collages, a Country-persiflage and the best
Beach Boys parody you'll ever going to hear. All humour
and satire has gone into the songs this time - just listen to "Moonshine
in the Mountains" or "The Lay of the Surfers", in
which, through a little twist of pronounciation the Beach Boy's
"Barbara Anne" turns into a horde of surfing and looting
"Bar-Bar-ians".
But....apparently all this was too strange, innovative and experimental
for many critics; the record got bad reviews and consequently flopped
commercially.
A highly underrated record, still. Musicians on this record: Paul
Rudolph / Simon House / Mike Nichols / Mike
Moorcock / Nik Turner
a.o.
...this list is
as complete as it can be from the informations I've gathered so far.
If you know of any other works that don't appear on the following page/s,
please get in touch.