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Stone Premonitions - “The Phoenix Tapes” Volume 1 (1974 – 1979)"

(For additional information see the beginning of the Stone Premonitions Family Tree)

The roots of Stone Premonitions go back into the mists of time... Paddi invited Tim to join his band Eyes To The Sky in 1974. Paddi & Dominic were seventeen, Tim was sixteen and Dieter was fifteen… “Get Out While You Can” was the first “proper” song that Tim composed back in 1973 and it just went on from there… Creating and performing music became Tim’s obsession for the next 34 years… The quality of the recordings on this CD may vary, due to the fact that the tracks were made from the only existing analogue tapes. There is in fact only one original copy in existence of each of the sessions on this CD and whilst working on this series of releases, we have tried to preserve the recordings to the best of our ability. We sincerely hope that the musical content substantially outweighs the technical deficiencies and we are very pleased that these performances are finally out in the public domain for the first time, charting as they do the early history of Stone Premonitions from 1974 - 1994. It was always the dream of the musicians involved in the project to be heard by a wider audience. Modern technology has finally made this a reality.

Thank you for your support and for taking the time to listen…

1) Get Out While You Can (Jones) (5.06)
2) The Bastard (Paddi /Jones/Hubbard/Griffiths) (2.59)
3) For Want Of A Better Dream (Paddi /Jones/Hubbard/Griffiths) (4.42)

Tim Jones – Vocals & Guitar / Paddi – Drums
Dieter Hubbard – Guitar / Shak (Dominic Griffiths) – Bass
Previously un-released 2 track live recordings from 1974
Recorded under the band name EYES TO THE SKY at their rehearsal space near Great Ayton, Cleveland, UK

4) Brass Castle Lane (Paddi /Jones/Hubbard/Griffiths/Friend Craig) (21.08)

Tim Jones – Vocals & Guitar / Paddi – Drums
Dieter Hubbard – Guitar / Shak (Dominic Griffiths) – Bass
Friend Craig – Organ
Previously un-released 2 track live recording from 1975
Recorded under the band name EYES TO THE SKY at their rehearsal space near Great Ayton, Cleveland, UK

5) Ghost Echo (Jones/ Dunn/Taylor) (12.13)

Tim Jones – Vocals, Guitar & Percussion
Mark Dunn – Bass, Flute & Vocals
Paul Taylor – Drums & Percussion
Previously un-released 2 track live recording from 1976
Recorded under the band name WHIPPET in Paul Taylor’s hallway, Chester-Le-Street, Co. Durham, UK

6) Is It Me Or You? (Dunn/ Chambers /Jones/Taylor/) (5.31)

Tim Jones – Vocals & Guitar
Mark Dunn – Bass
Paul Taylor – Drums & Percussion
Don Chambers – Rhythm Guitar
Previously un-released 2 track live recording from 1977
Recorded under the band name WHIPPET in Langley Park, Co. Durham, UK

7) Foot Tap Response (Jones/Blenkinsop) (5.28)
8) The Drawing Room (Jones/Blenkinsop) (5.31)

Tim Jones – Guitar
Dave Blenkinsop – Analogue synths
Previously un-released 2 track live recordings from 1978
Recorded in Albert Street, Western Hill, Durham City, UK

9) Fly Away (Jones/Holder) (5.12)
10) Shake It Up (Jones/Holder) (2.17)
11) Jah Wah (Jones/Holder) (2.36)

Tim Jones – Guitar
Martin Holder - Guitar
Previously un-released 2 track live recordings from 1979.
Recorded in Albert Street, Western Hill, Durham City, UK.

All tracks mastered by Tim Jones for Stone Premonitions 2008.


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Stone Premonitions - “The Phoenix Tapes Volume 2 (1980 - 1984)"

(For additional information see the beginning of the Stone Premonitions Family Tree)

The story of this CD begins back in 1980 (tracks 1 – 12) with the previously un-released mini album “A Delicate Talking Mechanism”, recorded at Durham University Electronic Music Studio. This was an 8 track analogue studio built by noted electronic music producer and pioneering sound emulation expert Ron Berry. The studio had the fortune to be situated in the grounds of the magnificent Durham Cathedral which dates back to the 9th century. The atmosphere in our overnight sessions in that studio could be at times overwhelming. The late Nick Ketteringham was studying for his MA in electronic music at Durham University and was noted for his aptitude in this field by the music department. Nick was given a fairly free reign to experiment and kindly offered to record some of Tim’s songs. Tim promptly borrowed his old friend Robin Storey’s beautiful old Hoffner semi-acoustic guitar and went in to the studio to record over a period of months.

For Tim, after stints in the mid to late 70s with Eyes To The Sky, Whippet, Neon, Treatment Room and Brian Bond’s Punching Holes it was the first opportunity to really concentrate on his own songs.

The drummer on the recordings, Mick Salmon was playing in Pre-Fab Sprout at the time, being their original drummer. The drummer Kevin Thompson was a noted heavy rock performer also living in Durham City, UK at that time. Keyboard player Paul Ellis was performing in local jazz rock band Number 3 and went on to work with Tim for many years. He also became MD for Alison Moyet’s live band for a tour of the UK and later performed sessions for Crass Records and played keyboards for Billy Ocean’s live band.

Chris Simpson had been the singer/guitarist with the aforementioned new wave band Treatment Room. This band also featured Steve Oliver on bass that later went on to form psychedelic rock legends The Dead Flowers as lead guitarist.

We then move on to some recordings of live rehearsals (tracks 13 – 15) by the band that was put together in order to perform live versions of songs from “A Delicate Talking Mechanism” at the Domefest Free Music Festival. This amazing festival by the river banks in Durham City, UK also featured The Global Village Trucking Company and The Chris Jagger Band. Martin Holder had been performing with Tim since Neon in the mid 70s. Martin was also the guitarist with free-form jazz rock band Jon Stevens Away and later Jah Wobble’s live band. Acclaimed painter and musician Robin Storey went on to be a founder member of Zoviet France and currently Rapoon.

The third section of this CD (tracks 16 & 17) features a brief line-up affectionately dubbed “The DTs” for doing gigs with local drummer and Laurel & Hardy aficionado Ian Self.

The fourth section of this CD (tracks 18 – 20) features 4 track recordings from 1982 and 1983 that were performed in North London with Paul Ellis engineering. These recordings saw the return of Neon bass player Mark Dunn after touring with The Poison Girls. Tim had just finished a short stint as singer/guitarist in Punishment Of Luxury.

The last two tracks on this CD (tracks 21 & 22) are from 1984 and feature the poetry of Tim’s old friend Dicon Peake. “Ramehead” was a recording that also featured Kevin Heard, previously the drummer with punk/new wave band The Carpettes.

1) Stand Out From The Crowd (2.38)
2) A Delicate Talking Mechanism (2.42)
3) My Town (2.19)
4) Beside You (1.04)
5) The Empire Falls Flat (2.32)
6) Willow Me (2.00)
7) Robot Rumba (1.56)
8) Plink Plonk (1.23)
9) Mesmerised By Cat’s Eyes (3.12)
10) Geoffrey (3.41)
11) Staring At Nothing (2.57)
12) Get Out While You Can (1.34)

Tim Jones – Vocals, Acoustic & Electric Guitars, Percussion
Nick Ketteringham – Bass Guitar & FX
Paul Ellis – Pianos, Synths & Pipe Organ
Mick Salmon & Kevin Thompson – Drums & Timpani
Chris Simpson – “Cha Cha’s” on “Robot Rumba”

Un-released mini album by Tim Jones entitled “A Delicate Talking Mechanism”.
Recorded in 1980 at Durham University Electronic Music Studio.
All songs written by Tim Jones. Engineered by Nick Ketteringham.
Produced by Tim Jones & Nick Ketteringham.

13) A Delicate Talking Mechanism (4.12)
14) Staring At Nothing (3.07)
15) Get Out While You Can (2.49)

Tim Jones – Vocals & Electrified Acoustic Guitar
Martin Holder – Electric Guitar
Robin Storey – Glockenspiel & Harmonica
Nick Ketteringham – Bass Guitar
Chris Simpson – Backing Vocals & Electrified Acoustic Guitar
Live rehearsals recorded in Hamsterley Crescent, Durham City late 1980 for a performance at the Domefest Free Music Festival
All songs written by Tim Jones. Live performances to 2 track

16) Nick’s Gnog (3.32)
17) Tra La La (2.02)

Tim Jones – Electric Guitar
Robin Storey – Glockenspiel & Harmonica
Nick Ketteringham – Bass Guitar
Ian Self – Drums
Live rehearsals recorded in Hamsterley Crescent, Durham City 1981. All songs written collectively by the band

18) Prisoners Of The Real World (1982) (3.32)
19) Stevie (1982) (4.04)
20) Why We Do (1983) (3.15)

Tim Jones – Vocals & Electric Guitar
Martin Holder – Electric Guitar
Mark Dunn – Bass Guitar
Paul Ellis – Keyboards & Programming
4 track recordings from 1982 and 1983 performed in North London
Engineered by Paul Ellis. All songs written by Tim Jones

21) Ramehead (4.21)

Tim Jones – Vocals & Electric Guitar
Nick Ketteringham – Bass Guitar
Kevin Heard – Drums
Enginered by Nick Ketteringham at “Seen & Heard” 8 track studio, Newcastle-Upon-Tyne, UK in 1984
Words by Dicon Peake. Music By Tim Jones

22) Ruby (1.21)

Tim Jones – Vocals & Acoustic Guitar
Kevin Heard – Keyboards
4 track recording from 1984. Engineered by Tim Jones & Kevin Heard in the village of Willington, Co Durham, UK
Words by Dicon Peake. Music By Tim Jones

All songs on this CD digitally remastered by Tim Jones for Stone Premonitions 2008



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Stone Premonitions - “The Phoenix Tapes Volume 3 (1984 - 1987)"

(For additional information see the beginning of the Stone Premonitions Family Tree)

Like all of the other CDs in “The Phoenix Tapes” series, this collection features many rare and previously un-released tracks.

We begin Volume 3 with some recordings dating from 1984 made on an early 4 track porta studio (tracks 1 – 4). This project, featuring Tim Jones and Carpettes’ drummer Kevin Heard was tentatively called “Icon Delight”, following on from the “Zut! Zut!” project (featured on The Phoenix Tapes Volume 2). The duo of Tim & Kevin was later augmented by Norm Emerson (ex Brian Bond’s Punching Holes) on drums and the late Vic Warrington on Bass in order to do gigs. This live lineup had the band name “Blow for Blow”.

Track 5 on this CD is a joint effort from Tim & Mark Dunn entitled “I Object”. This track was very much spontaneously recorded to a four track machine in 1985.

We then move on to two experimental tracks (tracks 6 & 7) which were recorded by Tim in Langley Park, County Durham on a four track machine in 1985.

Two rock oriented tracks from 1985 follow (tracks 8 & 9). They were recorded once again in Langley Park, County Durham by Tim on a four track machine in 1985.

“Dancing Feet” (tracks 11 & 12) concerns the formation of Tim’s long standing project “Somebody Famous” and the release of the “Dancing Feet”12 inch vinyl single and later vinyl album “The Gift” on the Prism Sound label. Somebody Famous started out as a studio based idea, Tim being employed as a musician for a year or so by an audio/visual enterprise called Prism Sound based on the Quayside in Newcastle-Upon-Tyne, UK. The kind people at Prism Sound effectively gave Tim the run of the studio and brought in talented studio engineers such as Paul McCourt and Steve Cunningham (played in Newcastle band Indian Summer and later became the bass player with Lindisfarne).

“Dancing Feet” was released in 1986 and this is the first time it has appeared on CD. The song was co-written by Tim & Paddi. Paddi was taking some time out from touring as a sound technician with Pink Floyd & Peter Gabriel. He now lives and works as a studio engineer in New Zealand.

The interesting thing about the next section, “The Gift” album (tracks 13 – 17) is that the songs are in the order of the demo cassette from early 1987 and not the finished vinyl album that appeared some months later. Please note that we only feature side one of “The Gift” on this CD. Side two appears on “The Phoenix Tapes” Volume 4.

Many extremely talented, musical friends were involved in these sessions at Prism and it was a very exciting and active time.

Paul Winstanley was an old friend of Tim’s who sadly passed away a few years ago. Paul was not only a great authority on music but was also a fantastic potter and carpenter. He was for a time a ship’s engineer for Greenpeace, worked for the Observer newspaper and had several novels published.

Mick Olvhoj was a solid drummer/percussionist that played in bands in the North East of England.

Eventually the production of the Somebody Famous recordings at Prism was given to Paul Ellis. Paul had been highly regarded as a session musician, especially for his emulation of brass instruments (his brass section emulations are in abundance on these recordings. In fact he eventually worked for Yamaha’s Research and Development department creating sounds for their keyboard instruments).

Paul brought in two more talented engineers that he’d met whilst working as a session musician in London. These were firstly Mel Jefferson followed by Danny Hyde. At that time, Mel was working for Southern Studios and Crass Records where Paul was performing sessions. Mel later engineered for Bjork before retiring from music and becoming an internationally renowned book binder.

Danny Hyde had worked with The The and Nine Inch Nails. He was extremely kind in giving up his Christmas in order to spend hours and hours in the studio doing the extended remix for “Dancing Feet” (though Tim’s Mum did make everyone concerned a wonderful Christmas dinner that year).

Paul Ellis also brought in Toy Dolls drummer Paul Smith who had previously worked with Newcastle band Hurrah and continues to perform session work to this day, with the likes of jazz singer Nelli Rees.

Mark Smith was an excellent session bass player that Paul Ellis had worked with in London.

The demo cassette of the Prism Sound recordings secured a fifteen minute film about Somebody Famous for Channel 4 Television in the UK, produced by Geoff Wonfor (Tim’s mum had persuaded him to audition for the series) and through this, the vinyl album release of “The Gift” on Raindance Records in 1987.

Raindance Records was based in Scotland. The label was lovingly run by Alan Combe who had previously worked for Charly Records. In fact it was through Alan and his friend Ian Anderson (the excellent mastering engineer) that Tim met Dave Anderson (Amon Duul, Hawkwind, Groundhogs, Space Ritual). Tim would later work with Dave Anderson in The Rabbit’s Hat, producing the album “In Optic Mansion” for Dave’s Demi Monde record label. Alan Combe is now happily married and teaching in China.

1) Soft Explosions Of Fragments Of Colour (7.44)
2) People In Power (3.36)
3) Message From Beyond (3.12)
4) I Like To Travel (3.55)

Tim Jones – Vocals, Acoustic & Electric Guitars
Kevin Heard – Organ, Analogue synth, Backing Vocals & Drum Programming
4 track recordings from 1984. Engineered by Tim Jones & Kevin Heard in the village of Willington, Co Durham, UK
All songs written by Tim Jones

5) I Object (4.43)

Tim Jones – Vocals & Electric Guitar
Mark Dunn – Bass Guitar, Analogue Synth & Vocals
Paul Ellis – Drum Programming
4 track recording from 1985. Engineered by Tim Jones in Langley Park, County Durham
Written by Tim Jones & Mark Dunn

6) In The Wake Of His Absence (5.32)
7) The Culture (6.11)

Tim Jones – Vocals, Analogue Synth, Programming & FX
4 track recordings made in Langley Park, County Durham, 1985
Engineered by Tim Jones
All words & music written by Tim Jones

8) Hard Man (4.27)
9) I Don’t Want To Suffer This Way (4.18)

Tim Jones - All Vocals & Instruments
4 track recordings from 1985 made in Langley Park, County Durham. Engineered by Tim Jones
All songs written by Tim Jones 10) I Always Carry A Torch (1.17)

Tim Jones – Vocals & Acoustic Guitars
4 track recording from 1985 made in Langley Park, County Durham. Engineered by Tim Jones
Written by Tim Jones

11) Dancing Feet (3.10)
12) Dancing Feet (Extended Remix) (5.28)

Tim Jones – Vocals
Martin Holder – Electric Guitar
Paul Ellis – Keyboards & Programming
Mark Dunn – Bass
Paddi – Drums
Engineered by Danny Hyde at Prism Sound 16 track studio, Newcastle-Upon-Tyne, UK in 1986
Produced by Paul Ellis & Danny Hyde
Written by Tim Jones & Paddi

13) The Gift Of Love (4.16)
14) In Harmony (3.47)
15) Letter Of Love (3.09)
16) Glory (4.05)
17) Beautiful Rose (4.00)

Tim Jones – Vocals, Electric Guitar & Keyboards
Paul Ellis – Keyboards & Programming
Mark Smith – Bass
Paddi & Paul Smith - Drums
Martin Holder – Electric Guitar
Paul Winstanley – Harmonica
Mick Olvhoj - Wind Chimes
Sam Lennox – Sax
Engineered by Mel Jefferson, Danny Hyde, Steve Cunningham and Paul McCourt at Prism Sound 16 track studio, Newcastle-Upon-Tyne, UK 1986 - 1987
Produced by Tim Jones & Paul Ellis
All songs written by Tim Jones

All tracks on this CD digitally re-mastered by Tim Jones for Stone Premonitions 2008



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Stone Premonitions - “The Phoenix Tapes Volume 4 (1987 - 1988)"

We begin The Phoenix Tapes Volume 4 in 1987 where Volume 3 left off with Tim Jones’ studio project Somebody Famous and “The Gift” album recorded at Prism Sound in Newcastle-Upon-Tyne, UK.

Tracks 1 – 6 on this CD make up side two of the demo version of the album, before it was taken up and released in 1988 as a vinyl LP by Raindance Records in Scotland. It is interesting to note that “I Like To Travel” was not actually on the finished vinyl album. This song was actually released in 1986 as a bonus track on the “Dancing Feet” 12” single on Prism Sound. “The Caring” was not included on the demo version of the album but appeared on the vinyl edition. It had previously been considered as a follow up single to “Dancing Feet”. “The Caring” also features the superb vocal talents of Anna Ross who went on to a successful career singing backing vocals for Wet Wet Wet amongst others (for further details, please see the sleevenotes for The Phoenix Tapes Volume 3).

Track 7 on this CD, “Love Will Stay” was recorded live at Prism Sound in 1987 during rehearsals but was never actually released. The backing vocals and percussion were added later.

Tracks 8 & 9 on this CD were recorded at Prism Sound in 1987 after “The Gift” sessions. Tim Jones & Paddi went in to the studio that was now being run by Steve Cunningham.

These were effectively demos of new songs at that time.

Tracks 10 & 11 on this CD are interesting rarities in that they feature the live band “Tongue” from 1987/early 1988. After spending more than a year in the studio, Tim was anxious to get out and do some gigs. “Tongue” spent around a year playing original music in pubs & clubs in the North East of England. The bass player Baz was an old friend of Tim’s from Neon days in the 70s and would in fact go on to work with Tim in the first live incarnation of Somebody Famous (to be featured on The Phoenix Tapes Volume 5). Baz (aka Kingsley Burn) is a noted inventor and gifted engineer who has traveled the world in order to demonstrate his work in such fields as the conservation of energy, in addition to him being a very talented musician. He is now married and lives with his family in New Zealand.

Pete Wildes, the drummer in “Tongue” was an extremely funny and talented club entertainer/musician that backed up many artists visiting the clubs in the North East of England. When Pete was a child, Eric Burdon & The Animals rehearsed in his mother’s living room in Newcastle-Upon-Tyne and were a big influence, Pete’s mother having been a famous ice skater at that time.

Guitarist Pete Monk had played in the late 70s punk band “Spasms” from Tupton in Chesterfield that released a great single on Ellie Jay Records in 1980 called “Never Happens Like It Does On The Telly”. Pete now runs a well established guitar shop and mail order company in the North of England.

The remaining tracks on this CD (tracks 12 to 20) were recorded by Tim on various 4 track machines and put together as a cassette demo entitled “Bron’s Kite” in 1988. Featuring various friends that we have mentioned before in this series, track 18 on this CD also features an old friend of Tim’s called Laurence Campling who was living in the USA and working for Ralph Records. He toured extensively with The Residents, helping to create many of their artistic stage props and actually appeared on stage with them as one of their eyeballs on human bodies, hence the name of track 18. Laurence still lives and works in the USA. Like all of the tracks in The Phoenix Tapes series, “Bron’s Kite” is an extremely rare collection of songs that we are very pleased to release on CD for the first time.

Once again, we thank you for listening and for your support of this project.

1) I Like To Travel (4.15)
2) Sue (4.21)
3) Water (3.17)
4) The Warmth Of Love (4.57)
5) Future Plan (4.25)
6) The Caring (5.19)

Tim Jones – Vocals, Acoustic & Electric Guitar, Keyboards & Percussion
Paul Ellis – Keyboards & Programming
Mark Dunn & Mark Smith – Bass
Paddi – Drums & Percussion
Martin Holder – Electric Guitar
Pete Greenaway – Sax
Nick Moss – Organ on “Water”
Anna Ross – Backing Vocals on “The Caring”
Prism Louise – Backing Vocals on “I Like To Travel”
Engineered by Mel Jefferson, Danny Hyde, Steve Cunningham, Paul McCourt, Jon Evans and Brian Wilson at Prism Sound 16 track studio, Newcastle-Upon-Tyne, UK 1987
Produced by Tim Jones & Paul Ellis except “Water” produced by Mel Jefferson
All songs written by Tim Jones except “Water” written by Tim Jones & Paddi

7) Love Will Stay (3.42)

Tim Jones – Vocals & Electric Guitar
Paul Ellis – Keyboards
Mark Smith – Bass
Paddi – Drums & Percussion
Recorded live at Prism Sound in 1987 by Steve Cunningham
Written by Tim Jones

8) Love Reaction (3.31)
9) Stop Playing (3.50)

Tim Jones – Vocals & Electric Guitars
Paddi – Bass, Drums & Percussion
Recorded at Prism Sound in 1987 by Steve Cunningham
Written by Tim Jones

10) In My Life (2.07)

11) Get Out While You Can (3.03)

Tim Jones – Vocals & Electric Guitar
Pete Monk – Electric Guitar
Baz – Bass
Pete Wildes _ Drums
Recorded under the band name “Tongue”, live to a 4 track machine, 1987 in Langley Park, County Durham, UK
Engineered by Tim Jones
All songs written by Tim Jones

12) Bron’s Kite (2.24)
13) Turn Back The Clock (3.19)
14) Keys To The Kingdom (5.11)
15) Baby Wake Up (3.50)
16) It’s Cheap But It All Adds Up (3.49)
17) New Day Tripper (3.30)
18) Time Spent With A Resident’s Eyeball (1:19)
19) Departed Friends (3.16)
20) Voice On A Tape (2.23)

All Vocals & Instruments by Tim Jones except:
Paul Ellis – synth on “Keys To The Kingdom” & “Departed Friends”. Mark Dunn – Bass on “Departed Friends”. Laurence Campling – Vocals on “Time Spent With A Residents Eyeball”. Snorky – Flute on “Bron’s Kite”
Recorded on 4 track machines, 1988 in Langley Park, County Durham, UK
Engineered by Tim Jones
All songs written by Tim Jones

All tracks on this CD digitally re-mastered by Tim Jones for Stone Premonitions 2008



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Stone Premonitions - “The Phoenix Tapes Volume 5 (1988 - 1989)"

Our story continues on The Phoenix Tapes Volume 5 with the first incarnation of the Somebody Famous live band. 1989 was a year of constant gigging for Tim Jones, all over the North East of England with the occasional excursion over the border into Scotland.

After the breakup of Tongue (Pete Wildes emigrated to Italy and Pete Monk went off to pursue his interest in Bluegrass music, alongside running a music shop. Please see the sleeve notes for The Phoenix Tapes Volume 4), Tim and Baz, aka Kingsley Burn decided to try their luck as a live duo with programmed drums. This gave them access to many more gigs due to the music licensing laws in many of the pubs that couldn’t put on more than two musicians at a time.

Amazingly enough, this decision proved to work out extremely well. It was a long shot as to whether audiences would accept programmed drums. In addition, working with electronic drums live could be a nightmare at gigs without decent monitoring systems as keeping in time without hearing the drums could prove impossible.

Tim and Baz were sort of adopted by certain pubs and clubs and built up quite a following, especially amongst the biker fraternity. It turned out that if the tempos, EQ and relative volumes were right, the drum machine kept a real pulse going which was easy to jump around to, especially at high volume.

Tracks 1–7 on this CD constitute the promotional tape that Tim and Baz put together in order to acquire gigs in 1989, reverting to the band name Somebody Famous. The songs were recorded in Tim’s small 4 track studio in Langley Park, County Durham, UK. They were essentially recorded live with the odd guitar overdub. This was effectively what people heard live at gigs.

This band lineup of Tim & Baz lasted nearly a year until Baz moved location to Wales in order to further his studies in engineering at Cardiff University.

Track 8 on this CD is a song from 1989, written by Tim with lyrics by his friend the late Paul Winstanley. As has been mentioned before in previous sleeve notes in this series, Paul had been a ship’s engineer for Greenpeace and was devastated when the Greenpeace ship, Rainbow Warrior was deliberately blown up, killing one of his friends, a photographer named Fernando. Paul composed this lyric as a tribute to his friend.

After advertising for a replacement bass player for the live band, Tim met up with Chris Oddy. Chris had performed live with The Humblebums some years previously and had also appeared with numerous pub rock/club bands. Tim & Chris got on well and the Somebody Famous duo idea continued until Tim met up with his old friend from Punishment Of Luxury days, the amazing drummer Steve Sekrit. Steve joining the Somebody Famous line up kicked started a whole new beginning and enabled the band to stretch out a lot more. This lineup gigged solidly for the next few months.

Track 9 on this CD is the theme that the band used as an intro at gigs.

Tracks 10 – 14 are all related to the Somebody Famous 7” single “Love Will Stay”, released on Alan Combe’s Raindance Records in Scotland. The tracks were recorded at Northern Recording Limited in Consett, Derwentside, UK. This was an amazing project set up in the Old Miner’s Hall by ex steel workers from Consett Steel Works after it was closed by the government, leaving many people without a livelihood. They achieved European funding and went on to do a lot of tremendous work for young people in their community. In many ways Northern Recording gave back to a lot of aimless kids the belief in themselves through the power of creating their own music. Many, many talented musicians passed through Northern Recording. Tim’s friend from the Neon days, Neil Griffin at the project offered him a lot of freelance work, producing and performing with their artists. In fact, it was through working at Northern Recording that Tim met the fantastic psychedelic/spacerock band Krom Lek who he would go on to work with for many years.

Sad would be an understatement to describe the closing of Northern Recording after it apparently failed to achieve further funding a few years ago. Great emphasis must also be put on the excellent and innovative work of the late John Kearney at Northern Recording, alongside Peter & Jed Boyle, Mary Kearney, Paul Green, the incredibly talented Ian Macallam (now working full time with Stiff Little Fingers) and many others.

We understand that Paul Green now runs the International Stanley Blues Festival that showcases talented blues artists from all over the world.

Somebody Famous were indebted to Alan Combe at Raindance for agreeing to pay Northern Recording to record the single in their new 24 track studio and to Mel Jefferson (see previous notes) for taking some time out from recording The Sugarcubes in Iceland in order to help out his friends and produce/engineer the single. Also, Mel being the veteran and extremely clever sound technician that he is, also sorted out quite a few of the studio’s teething problems!

Towards the end of 1989, Chris Oddy left Somebody Famous in order to concentrate on running his telecommunications business. The split was amicable and a short time later a bass player from Ireland called Friz, (aka Ken Linton) joined the band after offering his services on hearing that Chris Oddy had left. Friz had seen Somebody Famous live many times and really knew what he wanted to contribute to the band. Loads of gigs were available by now and the live scene in the North East of England was vibrant. This band line up gigged around the north of England for the next two years, on the pub rock circuit (residencies in lots of wonderful pubs), the college circuit, biker’s rallies, free festivals etc etc. For the more esoterically minded out there, one last spooky fact about this section of The Phoenix Tapes and Somebody Famous is that Tim Jones, Steve Sekrit, Chris Oddy & Friz all have the Aquarian star sign and their birthdays are all within a few days of each other (all of them witches!). Tracks 15 to 19 (all from 1989) feature mainly live performances by Tim, Steve & Friz, with the exception of the studio version of Stevie (track 16). These live tracks were recorded direct from the mixing desk by the very talented technician/musician Dave Pipkin who engineered many of Somebody Famous’ live performances during that period. Dave would eventually join Tim in Census Of Hallucinations as the drummer. Tim & Dave had actually first met whilst working with Nick Ketteringham on a giant interactive spaceship exhibition at the Gateshead International Garden Festival in Tyne & Wear, UK. Dave ran the audio visual side of things whilst Tim was one of the Space Captains. The spaceship was funded by Gateshead Libraries Department and after the festival, it was sold to a Japanese company as a theme park.

Track 19, “Not One Of Them” is a kind of mystery track as we’re not sure at what gig the recording was made or who the sound engineer was at the venue. This is the only version of this song in existence as it was never actually recorded in a studio.

1) Infra Red (4.39)
2) People May (3.36)
3) Freedom (3.28)
4) In Harmony (3.08)
5) We're All (5.20)
6) Glory (4.19)
7) Tomorrow Never Comes (2.55)

Tim Jones – Vocals, Electric Guitar & Programming
Baz – Bass Guitar
Recorded under the band name “Somebody Famous”, live to a 4 track machine, 1988 in Langley Park, County Durham, UK
Engineered by Tim Jones
All songs written by Tim Jones

8) Powers That Be (4.59)

Tim Jones – Vocals, Electric Guitar, Bass Guitar & Programming
Baz – Bass
4 track recording from 1989, produced in Langley Park, County Durham, UK
Engineered by Tim Jones
Lyrics written by Paul Winstanley. Music written by Tim Jones

9) Somebody Famous Live Intro (traditional) (00.54)

Tim Jones – Electric Guitar
Chris Oddy – Bass
Steve Sekrit – Drums
Recorded live to a 4 track machine at a rehearsal in 1989 by Keith (the intergalactic Roadie with extraordinary verve)

10) Love Will Stay (3.38)

Tim Jones – Electric Guitar
Chris Oddy – Bass & Backing Vocals
Steve Sekrit – Drums
Mel Jefferson – Engineering, Producing, and subtle aural enhancement
Alan Combe – Aural navigation, conceptual nuances & co-ordination
Recorded at Northern Recording Ltd
Old Miners Hall, Delves Lane, Consett, Co. Durham
Released in 1989 as the A side to the Somebody Famous 7” single on Raindance Records. Written by Tim Jones

11) Love Will Stay (slight return) (1.41)

Recorded live to a 4 track machine at a rehearsal in 1989 by Keith (the intergalactic Roadie with extraordinary verve).

12) New Day Tripper (4.10)

Tim Jones – Electric Guitar
Chris Oddy – Bass & Backing Vocals
Steve Sekrit – Drums
Mel Jefferson – Engineering, Producing, and subtle aural enhancement
Alan Combe – Aural navigation, conceptual nuances & co-ordination
Recorded at Northern Recording Ltd
Old Miners Hall, Delves Lane, Consett, Co. Durham
Released in 1989 as the B side to the Somebody Famous 7” single on Raindance Records. Written by Tim Jones

13) New Day Tripper Instrumental (3.56)
14) Love Will Stay Instrumental (3.41)

Tim Jones – Electric Guitar
Chris Oddy – Bass & Backing Vocals
Steve Sekrit – Drums
Mel Jefferson – Engineering, Producing, and subtle aural enhancement
Alan Combe – Aural navigation, conceptual nuances & co-ordination
Recorded at Northern Recording Ltd
Old Miners Hall, Delves Lane, Consett, Co. Durham
Instrumental versions of the Somebody Famous 7” single, recorded in 1989. Written by Tim Jones

15) Stevie Intro (Steve Gets Anxious) (00.33)

Recorded live to a 4 track machine at a rehearsal in 1989 by Keith (the intergalactic Roadie with extraordinary verve).

16) Stevie (4.54)

Tim Jones – Electric Guitar & Keyboards
Friz – Bass
Steve Sekrit – Drums
Initial rhythm tracks recorded live at The Gateshead Music Project, Tyne & Wear, UK 16 track studio by Gary Clennel. Overdubs & mix by Tim Jones on a four track machine, Langley Park, Co. Durham, 1989. Written by Tim Jones

17) Stop Playing (live improvisation) (2.45)
18) Stevie (live) (5.09)

Tim Jones – Electric Guitar & Keyboards
Friz – Bass
Steve Sekrit – Drums
Recorded live at The Newcastle Playhouse, Newcastle-Upon-Tyne, UK, direct from the mixing desk by Dave Pipkin in 1989

19) Not One Of Them (live) (5.11)

Tim Jones – Electric Guitar & Keyboards Friz – Bass Steve Sekrit – Drums Recorded live at a gig in Newcastle-Upon-Tyne, direct from the mixing desk by an unidentified in-house engineer in 1989

All tracks mastered by Tim Jones for Stone Premonitions 2008



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Stone Premonitions - “The Phoenix Tapes Volume 6 (1989-1991)"

1) Evergreen (3.47)
2) The Dream (3.34)
3) House Of Light (3.25)
4) If You Were Me (3.03)
5) Dragonfly (3.19)
6) Electric Forest (4.24)
7) Infra Red (3.40)
8) Whirligig ( 2.59)

Tim Jones – Electric Guitar & Tibetan Bells
Mark Ericson – Flute & Tibetan Bells
Recorded in 1989 on a four track machine under the band name “Mosaic” in Langley Park, County Durham, UK
Engineered by Tim Jones. Arranged by Tim Jones & Mark Ericson
All music written by Tim Jones except “The Dream” by Mark Ericson & Tim Jones
Mark Ericson was a post graduate student at Durham University and a gifted, classically trained flute player

The “Mosaic” project came together in 1989, after Tim and Mark had been given a commission to write and record the musical backdrop for an interactive Rainforest exhibition that was staged over the period of a week in Dunelm House, Durham University Students Union Building in Durham City, UK.

Following the rainforest event, Mark went on to do occasional gigs with Tim’s band Somebody Famous. Tim & Mark also started to perform live as a duo for a while under the name Mosaic and put together the eight recordings that you hear on this CD. A cassette tape of these recordings was available at the time but there were only a handful of copies professionally duplicated. This is the first time that these recordings have appeared on CD. Tracks 1, 3 & 5 were essentially written as instrumentals, whereas tracks 4, 6 & 7 were instrumental interpretations of Tim’s previously written songs. The main melody on Track 2 was written by Mark Ericson.

Track eight is unashamedly influenced by Tim’s love of “The Floating World” by Soft Machine

9) Chatter-H (2.39)
10) The Game (Do Your Head In) (3.05)
11) The Candidate (2.26)
12) So Near And Yet So Far (3.39)
13) Rainy Days (3.50)
14) Empires Fall (3.15)

All songs written, performed and engine-eared by Tim Jones on a 4 track machine in 1989
Recorded in Langley Park, County Durham, UK
Chatter-H was a mini album, utilising an idea loosely based around an anagram of leading British political figure of the 1980s. It was produced by Tim Jones for Raindance Records in Scotland and was available through them as a cassette only release under the band name The Ultimate Mushroom Band.
This is the first time that these tracks have appeared on CD.

15) The Ship Of Grandad’s Day (4.18)
16) Between The Lines (4.12)
17) The Ship Of Grandad’s Day Instrumental (4.34)
18) Jimi (5.24)
19) Half Mantra (4.07)

Tim Jones – Vocals, Roland Guitar Synth, Electric & Acoustic Guitars
Friz – Fretless Bass
Steve Sekrit – Drums, Percussion, Backing Vocals & Jaw’s Harp
Ian McLinden – Backing Vocals on Jimi
Produced by Ian McLinden & Somebody Famous. Engineered by Ian McLinden. All songs written by Tim Jones
Recorded & mixed at Euro Media Promotions, May – July 1991
Ship Building by Paddy Elwood, Christoph Ulmer, Terri Burgess & Gary MacPhail

After the tragic death of his mother, a boy climbs up into the attic of their family home to sort out her belongings. He opens an old chest to discover amongst other things a ship in a bottle and old photographs belonging to his grandfather. The chest is lined with newspapers from long ago. Looking at the scenes of his grandfather’s life, working in the shipyards on the river Tyne and his love of hot air balloons, he really begins to feel the atmosphere of those times gone by and how the world has changed forever…

This was the initial idea behind the Somebody Famous CD “The Ship Of Grandad’s Day”, released through Empress Records in the UK. The CD was engineered by the talented Scottish studio engineer Ian McLinden at Euro Media Productions (EMP), based in the Buddle Arts Centre in Wallsend, Tyne & Wear in 1991 (Empress Records was the imprint of Euro Media Promotions). EMP was a joint venture comprising of Ian and his partner, the German musician and musical friend Christoph Ulmer. Tim had the opportunity to utilize the studio’s excellent Roland Guitar Sythesiser for these recordings, (alongside standard electric and acoustic guitars) that allowed him to play all the keyboard parts on the guitar. Tracks 15 to 17 on this CD were initially recorded together as a set before the addition of the other album tracks and we feature them here in their original context, rather than the running order of the original CD release. Tracks 18 and 19 are also taken from the album. All of the tracks have been re-mastered from the original DAT tapes. The remaining four songs from “The Ship Of Grandad’s Day” will be featured on The Phoenix Tapes volume 7.

All tracks on this CD digitally re-mastered by Tim Jones for Stone Premonitions 2008



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Stone Premonitions - “The Phoenix Tapes Volume 7 (1991-1994)"

Somebody Famous:

1) There’s A Heaven (3.27)
2) Carousel (5.17)
3) Hieronymus (5.17)
4) Black Beauty On Cowboy Hill (3.07)

Tim Jones – Vocals, Roland Guitar Synth, Electric & Acoustic Guitars
Friz – Fretless Bass
Steve Sekrit – Drums, percussion, Backing Vocals
Produced by Ian McLinden & Somebody Famous
Engineered by Ian McLinden
All songs written by Tim Jones
Recorded & mixed at Euro Media Promotions, May – July 1991
Originally released on the CD “The Ship Of Grandad’s Day” on Empress Records
Ship Building by Paddy Elwood, Christoph Ulmer, Terri Burgess & Gary MacPhail

5) Love Reaction (4.05)
6) The Only Girl (For Terri) (5.08)

Tim Jones – Vocals, Electric & Acoustic Guitars
Friz – Fretless Bass & Backing Vocals
Steve Sekrit – Drums, percussion & Backing Vocals
Paul Campbell – Electric Guitar
Rob Kirtley – Backing Vocals
Engineered by Steve Daggart
All songs written by Tim Jones
Recorded & mixed at Hi Level Studios, Newcastle-Upon-Tyne, UK 1991

7) The Ladder (4.23)
8) Love Is (5.33)
9) Love Is (Slight Return) (2.37)

Tim Jones – Vocals & Electric Guitar
Friz – Fretless Bass
Steve Sekrit – Drums & Backing Vocals
Engineered by Mickey Sweeney
All songs written by Tim Jones
Recorded & mixed at The Cluny Studio, Newcastle-Upon-Tyne, UK 1991

The Permanent Haze:

10) Shine On (2.49)
11) Drift Away (4.15)

Tim Jones – Vocals & Acoustic Guitar
Terri~B – Vocals & Keyboards
Finn Millar – Vocals
Steve Sekrit – Drums & Percussion
Engineered by Tim Jones in 1992 at The Stone Studio, Gateshead, Tyne & Wear, UK. All songs written by Tim Jones

The Rabbit’s Hat:

12) Anytime, Anyplace, Anywhere (3.32)
13) Bottles (2.26)
14) I’m Only Little (2.35)
15) Nothing To Lose (2.36)
16) Feed Your Head (3.36)
17) Sara Jane (3.24)
18) Soap Opera Mentality Free Zone (3.09)
19) Hello And How Are You? (2.55)

Terri~B – Vocals
Tim Jones – Vocals, Electric Lead & Bass Guitars & Programming
Steve Ellis – Keyboards
Engineered by Tim Jones at Stone Premonitions, South Moor, Derwentside, UK 1993-1994
Lyrics on tracks 12, 13, 14, 18 & 19 written by Tim Jones & Terri~B with music by Paddi, Mark Dunn & Tim Jones. Tracks 15, 16 & 17 written by Tim Jones & Terri~B

The Phoenix Tapes Volume 7 is the final volume in the series and demonstrates the transition from Tim Jones’ earlier musical projects such as Somebody Famous and The Permanent Haze into what became officially known as the Stone Premonitions label. Terri~B is at this point essential to the Stone Premonitions story. Terri was the catalyst for all subsequent events. Tim Jones met Terri~B in 1991 through performing in Somebody Famous at the superb King’s Head venue in Stanley, Co. Durham. It was there that Tim and Terri initially got to know each other, often singing at jam sessions together in the pub.

The King’s Head was lovingly run by Paddy Elwood and his wife Linda. Paddy and Tim became very good friends and he actually put a lot of faith into Tim’s music in the early 1990s. Paddy was one hell of a nice bloke.

Terri~B was singing in a rock band called Vagrant at the time that also performed at The King’s Head. In addition, she did stints working behind the bar. Of all of the many gigs that Somebody Famous played, The King’s Head was probably the most vibrant. The audiences were wonderfully wild people in both dress and personality and playing there on a Saturday evening into the early hours of the morning just couldn’t be beaten for a terrific atmosphere. At the time, Terri~B was also running an excellent rehearsal space in an old ex pub in Dipton, Co. Durham where she lived with her partner Gary MacPhail.

Gary was another extremely talented guy from the north east who did a lot of work for local bands behind the scenes from the goodness of his heart basically. Terri and Gary kindly invited Somebody Famous to rehearse at their place free of charge and would even leave them a case of beer in the fridge! After the break up of Somebody Famous, Terri & Tim began working together in various musical projects. This culminated in the formation of The Stone Premonitions label and the band The Rabbit’s Hat, alongside keyboard player Steve Ellis. Steve Ellis was a well known piano player from the area, having worked with many local bands. During his time spent performing sessions and live work at Stone Premonitions, Steve became increasingly involved with new keyboard technology. For Tim & Terri, working with such an imaginative player as Steve was an extremely productive experience. Terri~B and Tim Jones have lived and worked closely together for the last 16 years. They have also produced a new recruit, their wonderful son James, now four years old. In fact it was James Jones that inspired the making of The Phoenix Tapes. The primary motivation was to preserve the early recordings should he take an interest in Stone Premonitions as he grows up.

As regards the studios where the Somebody Famous tracks on this CD were recorded, Hi Level was run by Ray Laidlaw, the drummer with folk rock band Lindisfarne. It was situated next to the High Level Bridge in Newcastle-Upon-Tyne, hence its name and was also a base for the band. Ray managed an excellent songwriter from the north east of England called Paul Campbell who was a good friend of Steve Sekrit, the drummer in Somebody Famous. Tim & Paul also became good friends and the Somebody Famous band became session musicians for Paul at Hi Level studios for a while. The resident studio engineer at Hi Level was Steve Daggart, a superb technician. In payment for the sessions that Somebody Famous performed for Paul, they were given studio time to record some of their own songs with Paul guesting on guitar. It was a worthwhile swop as Paul’s songs were great and the studio was excellent. It was one of the only studios in the area at that time with a computerized mixing console (Solid State Logic) and it was an interesting place to learn about new studio techniques. Another great old friend of Tim’s was involved in these sessions, namely Rob Kirtley. Rob was a brilliant singer/songwriter from Durham. He was also an accomplished regional actor. Rob eventually joined The Rabbit’s Hat for a while playing bass guitar before be coming a DJ in dance clubs and writing commercially successful songs about Newcastle United football club. Paul Campbell is a fantastic guitarist and played live with Somebody Famous on many occasions. He went on to perform guitar in The Christians. Steve Daggart is now a well known singer/songwriter performing in the north of England.

The Cluny Studio in Newcastle-Upon-Tyne was run by Archie Brown, the sax player from a well known 1970s North East band called The Young Bucks. It was another excellent 24 track studio in an atmospheric location, situated amongst the big old industrial warehouses in the heart of Newcastle. The engineer was a lovely and extremely talented guy called Mickey Sweeney. You will see Mickey Sweeney’s name associated with many of the records that came out of the North East of England from the 1970s onwards. Somebody Famous wanted a record of the live sound of the band at the sessions with Mickey and the recordings are essentially what the band sounded like at gigs. The Cluny Studio had a big performance space with microphones placed in the old attic roof to record the reverb. This natural reverberation gave a unique atmosphere to recordings produced at The Cluny.

The Permanent Haze tracks were recorded at what was essentially the first Stone Premonitions HQ in Gateshead, Tyne & Wear. After the break up of Somebody Famous, Tim and Steve Sekrit continued to work together for some time. Steve’s partner Finn Millar is, like him, a naturally gifted artist and musician. Tim had actually worked with Finn on numerous occasions in the past, mainly engineering Finn’s demo tapes. In 1992, Terri~B and Tim teamed up with Finn and Steve to form a project called The Permanent Haze that lasted for a few months and sparked off lots of new ideas. Finn and Steve went on perform together under the name Shay Tal, a uniquely atmospheric and evocative folk rock band. You can find more information about Shay Tal at www.myspace.com/shaymusic

The Rabbit’s Hat tracks were recorded in the second set up of the Stone Premonitions studio in South Moor, Co. Durham.

All of the tracks on this CD apart from tracks 1, 2 & 3 are previously unreleased. Please see the sleeve notes for volume 6 of The Phoenix Tapes for further information on Euro Media Promotions.

All tracks digitally re-mastered by Tim Jones for Stone Premonitions 2008


E-Mail: stonepremonitions@fsmail.net
Website: www.aural-innovations.com/stonepremonitions


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