> Lemmy Kilmister / Motörhead |
< Collaborator of V |
Born as Ian Frazier Kilmister on a Christmas eve and the son of a vicar - the man set out to become one of the most uncompromising - yet successful musicians - in the rock business.
Though Motörhead are frequently addressed as a heavy-metal / hard rock etc... band to Lemmy it was, is and will remain Rock 'n Roll!
That's
what started the whole thing for him:
"It's
Little Richard's fault, all of it. Little Richard is directly responsible for Motörhead. I heard "Good Golly, Mrs. Molly" and that was the end of it... Motörhead is Rock'n'Roll. I remember it before metal or punk. I came up with Elvis and Little Richard the first time round." So,
rock-music soon became the major obsession - but besides taking up the
pieces himself, Lemmy also became Jimi
Hendrix' roadie for a while - getting knee-deep into the drug-soaked
world of psychedelia... Around this time he got in
loose touch with the band that
Robert Calvert had joined forces with as well: Hawkwind.
Around late 1971 Hawkwind
was in desperate need of a bass-player and Dik-Mik
repeatedly recommended his friend Lemmy. The
band knew that Lemmy had a reputation of being a notorious 'speed-freak'
- but after finally doing an audition he got the job - and immediately
turned into one of the key-members of the band. Though he didn't contribute much to the songwriting, his powerful, energetic style - accompanied by the equally forceful new HW-drummer Simon King - gave the band much of the drive that should gain it its almost legendary status in the years to come. One of the first recordings Lemmy did with Hawkwind was the bands first (and only) hit-single Silver Machine - composed by Robert Calvert and Dave Brock. Though Calvert was the original singer, it were Lemmy's vocals that appeared on the final single-release - and it was also him who did the vocals in the filmed version of it - in the band's first (and I believe only) Top of the Pops appearance.
The first Lp featuring Lemmy was the 1972 release
Doremi
Fasol Latido - the album that for many Hawkwind fans marks the
beginning of the band's 'golden period' - and features Lemmy's delirious,
eerie acoustic contribution The
Watcher - describing a kind of desperate Orwell-ish surveillance
situation:
The
album was followed by extensive touring with the gigantic Space
Ritual set-up. From this tour the band compiled a double
live album by the same name that marked the bands biggest commercial
success and their first creative climax. Hawkwind's rise to fame also presented them with even more kind attention from the local police forces (mostly the drug-squad commission)... > LISTEN to one of the episodes that the band - and Mr. Calvert and Mr. Kilmister went through - as told by Robert Calvert in a radio interview in 1982.... (real-audio file) 1974 saw the release of Hawkwind's
new studio album Hall of the Mountain Grill.
The band went through the usual cycle of recording and touring and recording.... - and Lemmy kept his cycles as well - that didn't always agree with the rest of the band - his way of playing - being already very loud and aggressive brought up more and more problems. Dave
Brock on some scenes during Hawkwind gigs at the time: Warrior
was clearly another step into the opposite musical direction Lemmy
was heading for. Listening to the album these days, it seems hard to believe
that the Motörhead - mastermind was on
it. - And his basslines did sound less aggressive than on former albums...
In retrospect, this could
very well mark the beginning of the end (of this Hawkwind line-up) and
the beginning of the beginning of Motörhead.
Lemmy:
"Well, it was a
bust, but not quite the way most people mean. Crossing the U.S.-Canadian
border, they found some amphetamine and thought it was cocaine. I spent
a night in one of their prisons. The band, somewhat hypocritically, I
think, fired me, and I went home to form a new group. The time was 1975, when Lemmy
- obviously pissed off by his fomer band members - returned to London
and decided to form his own band called Bastard.
It took Motörhead
around 3 years to really take off in commercial terms - and the rest is
more or less history. Since 1977 - when the band was still playing support
for Hawkwind on their
U.K. tour - Lemmy and his comrades in arms
and bullet-belts, are churning out records and touring continuously. In 1995, when Motörhead
saw the beginning of its 2nd decade - and Lemmy his 50th birthday, even
the boys of Metallica flew in to Los Angeles,
to dress up like Lemmy-clones and do a short tribute gig to him, calling
themselves THE LEMMY'S!
By now, Lemmy
and Motörhead have already gained the status
of a living legend - but fortunately, Lemmy keeps cool enough to deal
with this.
But however sad and
unfortunate the circumstances of Lemmy's split from Hawkwind
were - Mr. Kilmister is not only known to be outspoken against the press,
politicians and all sorts of hypocrite's - he's also generous and forgiving...
Calvert's and Lemmy's
friendship, however, remained untroubled throughout those years - and
Lemmy kept on collaborating with Calvert also on his solo-albums. ...but the thought alone is inspiring ~ amusing, isn't it...
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